Last night I heard a reference to Gesamtkunstwerk on the PBS Idea Channel available on YouTube. This morning The Globe and Mail contained an article by Russell Smith that referenced the same thing. I always enjoy a good coincidence, a pleasure I share with AndrĂ© Breton. I recommend his book Nadja. It elicits an aesthetic appreciation of coincidence, and once you’ve developed the habit of noticing such things, there’s a world of accidental art to be explored. Breton was an arrogant bastard, but I like him in spite of his faults.

The problem is, if you begin to suspect a real connection within a coincidence, its beauty begins to drain out. I’m not talking about the one world, all and everything, cosmic consciousness, clear light, nirvana kind of connection. That’s a whole different, perfect beauty. That doesn’t drain anywhere, it’s already there. I’m talking about causality, which ruins everything.

So it may be the case that the idea of the Gesamtkunstwerk is fashionable right now, and as a fashion victim, I’m also trying to write about it. Wagner is associated with the idea, but let’s consider Wassily Kandinsky, author of Concerning the Spiritual in Art (1910), who was somewhat of a Theosophist, a synesthete, and the painter of the world’s first abstract, or non-objective painting in 1910.

From the very beginning there were various understandings of ‘abstract art’. It was something spiritual for Kandinsky and Mondrian, but formal, and a touch political, for Malevich and Tatlin. Today the term seems totally empty and its only reference is historical. Nonetheless, I’m surprised that I didn’t encounter anything written about the centenary of this event. It would have been fun to read.

This is where I would build a case for some kind of non-coincidental connection between synesthesia, or the desire for it, and the Gesamtkunstwerk. But I really don’t feel like it. I don’t sense any worthwhile aha in a conclusion

It’s claimed that Richard Feynman, Franz Liszt, and Vladimir Nabokov also lived with synesthesia. That might be interesting, then again, I don’t think so. It’s not a good coincidence.

Image: Wassily Kandinsky, untitled, watercolour, 188 x 196 cm., 1910, collection of Paris, Musee National Art Moderne, Centre Georges Pompidou. As far as I know, this is the first abstract painting in the Western tradition.