An addendum to Self Expression and Conceptual Painting.
One day while waiting for my train to arrive, I watched a freight pull by and noticed a spray-painted message on a boxcar, “ANGER IS A GIFT”. It had never occurred to me that anger was a gift, and thus it required further thought. I am more inclined to see anger as an unwanted disturbance, or an interruption of any free will that I might possess. Anger doesn’t seem much different from a toothache – it goes about its business with little regard for my opinions or wishes.
It would be strange if anger were a gift. But let’s be fair about this, and consider for a moment some hypothetical people who might regard me as “too cerebral” or “alienated from my feelings” because of my opinion about anger. Quite likely, these people have such preposterous ideas because they are suffering from a fundamental misunderstanding about human nature – they identify their supposed selves with their emotional weather.
These deluded, hypothetical people could easily jump to thoughts like “anger is a gift,” and then add, when considering me, “especially in your case, as it might curtail the growth of a tumor.” But who can say – we all have our delusions. Nonetheless, I suppose anger is a gift in a certain way. First there wasn’t anger, and then suddenly, I have anger. It’s like getting a birthday gift in the mail.
But I haven’t been fair. I have trivialized the concern by merely playing with the somewhat tautological connection between ‘gift’ and ‘getting’. Now I have used the word ‘tautological’ to make the hypothetical people feel bad about their possible ignorance of the word. It makes matters worse that these same people probably don’t feel bad about their ignorance at all – they don’t even care, they may even be proud of it, and I don’t doubt for a moment that they think I’m a snot – that is, if I were generous in my definition of ‘think’.
Sometimes I get the feeling that the world has been configured by high-average people primarily for the exploitation of average people – people who can be counted on to respond somewhat normally and predictably. This is the kind of world where people of high average intelligence can expect to succeed. The dictatorship of the “middle-brow”, as Clement Greenberg might say.
In this kind of world, the people at the extreme ends of the intelligence-sophistication-wisdom scales all have to fend for themselves when it comes to community and stimulation. This also applies to people thought of as defective, eccentric, or dangerous by those middle-brows mentioned above. The shunned and invisible find their own places to gather: places like group homes, sheltered workshops, strange hobby gatherings, Mensa chapters, academies, criminal organizations, and religious or political get-togethers.
All of this though, has merely been an example of my repressed anger and resentment reaching outwards from the personal to full-blown social theory. I suspect this may be rooted in my mostly unsuccessful career as an artist, and my unimportance within that huge group of hypothetical people I don’t want to spend time with anyway. I am thankful I don’t know them, and I suppose that might be a gift of sorts.
Of course it might just be self-loathing. Hard to say. It’s easy to prevaricate, and hard to be honest, especially if pride is involved.
At any rate, it’s true that righteous anger and revolutionary anger can be gifts. Anger is a healthy response to injustice, and Noam Chomsky endorses it because it motivates us to do courageous and important things. But regardless, repressed anger warps my good intentions and this is not a gift. The box car was right, but it confused me: I probably live with more anger than I care to acknowledge. It’s hard to make clean art living that way.
Image at top: Steve Armstrong, Equality Brand Aluminum Foil, oil on cardboard with serrated metal edge mounted on panel, 7.5″ x 16.5″, 2006.
I made this atypical box painting (atypical in that it contains an internal figure/ground relation (the red on blue)) shortly after being diagnosed with macular degeneration.The condition developed shortly after the death of my mother who also suffered from it. Stress and grief may have triggered my amazing psycho-somatic powers. I guess I was a bit upset.
With this painting, I was engaged in some unintentional self expression that has just been waiting there for me to notice it. And perhaps someday, if I have a famous name, at which point I am very likely dead and my cremated ashes have been poured into the Humber river in Toronto, the place I will always consider home, and those ashes are somewhere out in the North Atlantic, this box painting with its serrated metal edge, will be sought after as if it held drops of holy blood from a self-severed ear. The art market works in obvious ways.
Self expression was my warped-by-anger intention. Clean art goes as planned, dirty art doesn’t. I like both kinds, and this requires further thought.
http://www.amazon.com/Living-Sustaining-Creative-Life-Working/dp/178320012X/ref=sr_1_1?s=books&ie=UTF8&qid=1401410488&sr=1-1&keywords=living+and+sustaining+a+creative+life Sorry, this is a long link…The link is to a book that was recommended to me…It is called Living & Sustaining a Creative life…
The book has life stories of many current artists…These are artists who are good, have several degrees, & do all the right things…They are all teaching to make a living…
You really have to evaluate your own success by how proud you are of your own work, how far have you come, how good is the art, how deeply & ingeniously you have dug…
Is the work good?
If any artist judges their own success today by how much money they are making, they will all deem themselves failures…
Bartenders & secretaries are making more money than artists…
Take a close look at the really famous ones…Christo was bone thin when I saw him speak…His shoes & clothing were ratty…His mouth was dry…His hair was not cut well…No he did not drive a BMW or even a classic old car…
Being an artist is like being a preacher…You really can’t be in it for the money & you can’t judge your success by the money…
Your work is solidly good…Your writing is solidly good…You are a success…
Erase that repressed anger…It belongs to someone else…It is not yours…Your work is beautiful…
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Thanks for the encouraging comments. I’m arrogantly impressed with my own work, so no problem there. I was looking to see how my personal life has a way of seeping into my work and thinking about whether that is a flaw or a strength.
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I recently told commenter that their trollish response to a comment I made on causality (in which I suggested that the lighting strike is to the thunder what the snake’s head is to its tail: not two separate and related events but two different views of the same thing), I told him that my comment on causality didn’t trigger his aggressive response but already contained it from the outset.
Your anger-graffiti-boxcar-angry-box-painting-artist: more snakes’ heads and tails. Paint any chunk of that you like. The rest is implied.
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Agreed, David Bohm and Spinoza are probably also onside.
To say something about the angle on this post, I’ll quote something I’m writing in my next post, “Lately, I’ve been studying Hunter S. Thompson to get an angle on his amazing talent for digression and hyperbole. Then I thought, what if this technique were directed inwards instead of out”.
Also, apologies to you and GroveCanada for taking so long to reply. I know when I comment, I pine for a reply as soon as possible. No excuses, it just happened.
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[…] wegway and the Institute for the Separation of Theory from Practice « Repressed Anger […]
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“The gift of anger” was a phrase I encountered a couple of years ago and my response was not very different from yours. There’s a book out there titled the same, and I tried to read it. I found it odd, maybe because it wasn’t cerebral enough to make any real sense. It was like a workbook of some sort. But, there is more that resonates here, especially the observations about the margins of humanities, and those in the extremes.
Interesting that this was written on a “box car,” as the words together feel paradoxical, especially in the context of some of the posts I’ve read here.
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I’ve supported my art career with a “day” job (actually shift work for the most part) on the railway. I’ve seen a awful lot of box cars, not to mention covered hoppers and multi-levels. 🙂
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